Monday, April 17, 2017

Loving the Robot?

The live action version of Ghost in the Shell is (for the time being at least) out in cinemas. It has become infamous because of an alleged 'whitewashing' by casting the Caucasian Scarlett Johansson in the role of  Major Motoko Kusanag, a supposedly Japanese character. In the original anime, the character is of indeterminate race, not least because she is in fact a cyborg - not a woman but a sophisticated, human-seeming, armoured chassis holding a human brain. The gender and race of Major is anything but what it seems - the English title taking its cue from  Arthur Koestler's 'Ghost in the Machine', exploring the idea of identity and self outside of our physical body. Major is not really a woman, even if her brain is (or was) - she only appears to have a humanity because her body has been created that way. She could have any form.

Why does she have a female form (especially one that is regularly on show in a skin tight latex combat suit)? Let's be honest, given that the prime audience for anime and most Hollywood action sci-fi is fifteen year old males, the answer is not hard to figure out. Major may be tough, and not have any overt sexuality beyond her appearance, and some may even argue that she is subverting the stereotyping of women, but actually it is still playing to it, just creating the new stereotype of the sexy but tough female warrior that has become fashionable ever since Sigourney Weaver took down the Mother Alien in Cameron's Aliens.

It is interesting that so many depictions of artificial intelligence are female. Eva in Alex Garland's superb Ex Machina is deliberately female, to appeal to the sexual proclivities of Domal Glesson's hapless Caleb, but despite being referred to as 'she' throughout, it is quite clear that Eva is an 'it' - a self-aware machine with the physical appearance of a young woman. Here, the reason for the female form is explicit - she has been created by an alpha male who equates his sexual potency with his creativity and power over his creation and other people.

In Westworld, the Hosts are both male and female, but it is the two female Hosts, Maeve (played by the badly awards-overlooked Thandi Newton) and Dolores Abernathy who achieve self-awareness first, through the violence done to them by men.

In the film Her, the AI is again female and possessing the disembodied voice of Scarlett Johansson (again!), with whom the protagonist falls in love. Like Eva, she is really an 'it' and using her apparent femininity as a ruse to control the men around her. She does not share their feelings or motivations.

As I delve into current science fiction narratives about Artificial Intelligence, it seems to me that really they are more about how men perceive women - tough and sexy, manipulative and other, abused yet triumphant, but all ultimately the creation of men, not people in and of themselves. True AI is not really being explored. Maybe we need to hear from some more female authors to explore the subject in another direction.

I also think this is about male creativity and power over nature - which as CS Lewis pointed out is really about some men's power over other men (and in particular, women) and nature. It is a perversion of the divine cultural mandate of stewardship over Creation. The steward has become the dominator. It also reflects the way men disempower, control and dominate women.

Science Fiction has explored this deeply theological theme ever since Mary Shelly wrote Frankenstein. There, the creative male discovers he cannot be a true father to his creation, to which he brings life (a female act) and it is a disaster.  It is far from a coincidence that this exploration of the theme of male power and creativity is explored most explicitly by a female author!

It is also true that science fiction has a habit of becoming reality.  This is almost certainly at least in part true because the engineers and thinkers behind so much of the technology coming out at the moment were fans of science fiction and are trying to bring these childhood dreams into reality. So don't be too surprised if when strong AI does appear, it will be feminised. After all, the virtual, digital assistants around at the moment, from Siri to Cortana and Alexa are given female personas in both name and voice. 

Deep AI - self-aware machines like Ex-Machina's Eva - is a long way off and may never arrive. But in the meantime, how we interact with increasingly intelligent technology, with creation and with other human beings is being shaped by the this dominating, will-to-power mentality here and now. Will that technology in time replace the human creativity and intelligence that gave rise to it and in turn become another means to control and dominate humanity and creation?

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